Acrylic

In the past decade, two new sculpture materials, Lucite and Kalonite, were introduced to the world of art. Lucite is a clear acrylic monomer and Kalonite is a transparent polymer whose color ranges from a soft rose to a vibrant amethyst. Wyland's acrylics are made of Kalonite. Proprietary chemical formations, not pigmentation, give this substance its gem-like quality, with color variations that are similar to translucent materials found in nature. Light flows through the sculpture for a delightful diffused effect that can be enhanced with special lighting techniques. Studio lighting or sunlight can be used to accentuate shadows and draw the eye to other unique characteristics within the piece.

Acrylic Sculpture

In the past decade, two new sculpture materials, Lucite and Kalonite, entered into the art world. Lucite is an acrylic monomer that is clear and Kalonite is a space-age polymer that adds color yet maintains its transparency. Wyland's acrylics are made of Kalonite. The word Kalonite comes from the Greek word "kalon" which when translated means the ultimate in physical and moral beauty. The color in Kalonite ranges from a soft rose to a vibrant amethyst. The gem like quality is from propriety chemical formations not pigmentation. Therefore, the color variations are natural, similar to translucent materials found in nature. Light flows through the sculpture in such a way to create an impressive and delightful diffusion of light adding to and becoming part of the sculpture. Special lighting techniques can be used to accentuate shadows and other unique characteristics within the piece. Light coming from underneath or focused upon the acrylic sculpture helps create a dimension that must be seen to be appreciated. Studio lighting or sunlight will also draw the eye to its radiance.

Aesthetic

Derived from the Greek word meaning "to perceive," aesthetics is the philosophy behind art. Aesthetic criticism seeks to formulate non-subjective laws and criteria to account for human perception of beauty and taste.

Artagraph

Artagraphy is considered the state of the art in fine art reproduction. The following three-step artagraphic process recreates the color and three-dimensional surface texture of an original oil painting:

1. First, the exact colors of the original are scanned by a digital laser with an advanced optical system. Each color is printed one at a time using oil-based inks in overlapping layers onto a unique oil-based sheet.
2. Next, a mold is made from the original painting to recreate the surface texture and brushstrokes in bas-relief. A patented silicon gel substance is poured onto the bas-relief and 72 hours later the mold is removed to create the negative mold.
3. Finally, all the elements Ñ the negative mold, the printed oil-based substrate, and a unique laminated canvas material Ñ are placed into an oven press and heated to 600-700 degrees under 35-65 tons of pressure. This causes the oil substrate to liquefy with the laminated canvas and fill the cracks and crevices on the mold. The artagraph is immediately shock frozen with liquid nitrogen leaving a permanent surface texture.

Artist's Proof/Printer's Proof

These terms were originally used to distinguish the earliest stages of the prints for inspection purposes. Today, they are often applied after the entire edition has been produced. In many instances, an entire edition is divided into several limited categories and often the terms "AP" or "PP" are used to denote separate categories within the edition. "AP" is a print made for the artist's personal use, designated as such, and not part of the edition of that print.

Atmosphere

Atmosphere around the world varies widely in its chemical content. Locations like Denver, Los Angeles, and Mexico City are examples of atmospheres with a higher acidic content than areas such as Seattle or St. Louis. Coastal communities may have atmospheres more alkaline in content.